ONLY DILFS ALLOWED: FOURT TO EIGHT

First off, the name "Four To Eight" is really unique. What’s the story or meaning behind it?

"Haha, thanks. It started pretty literally. When I first got serious about production, my creative window was always from about 4 am to 8 am. It was the only time the world was quiet and I could just get lost in the sound without any distractions. It also ended up being the length of my first proper all-night set. So the name just stuck. It represents that dedicated, deep-focus time for me."

Your sound seems rooted in house and techno. How would you describe the specific style of music you aim to produce and play?

"I'd say it's a blend of groovy, percussive house with the drive and energy of classic techno. I love tracks that have a strong, infectious groove that you can lock into, but with enough power and interesting sonic details to keep it hypnotic on the dancefloor. It's all about finding that balance between soulful warmth and raw, rhythmic energy."

1. 3. You've played at some iconic venues and festivals. What has been the most memorable gig of your career so far and why?

   Mock Answer: "That's a tough one, but closing out a small stage at a bush doof a few hours outside of Melbourne last year was pretty special. It was pouring rain earlier in the day, but by the time I came on, the sky had cleared. The energy was just electric; everyone was so committed and there for the right reasons. Seeing the sunrise with a crowd that's completely with you is a feeling you never forget."

   4. Looking at your feed, you're not just a DJ but also a producer. Can you walk us through your creative process when you're in the studio making a new track?

   Mock Answer: "It almost always starts with the drums. I'll spend hours just getting a kick and a hi-hat pattern to feel right, creating a loop that I don't get bored of. From there, I'll usually find a sample to chop up or start building a bassline. The rest is just about layering and arranging, trying to tell a story with the energy. Some days it flows, and other days you spend six hours on a synth sound that you end up deleting. It's all part of the process."

   5. Who are some of the artists, both in Australia and internationally, who have inspired your sound and your approach to DJing?

   Mock Answer: "Internationally, I've always been hugely inspired by artists like Ricardo Villalobos for his unpredictability and Kerri Chandler for his pure soul and groove. In Australia, the talent is insane. Guys like Skin On Skin have shown how hard you can push the sound, and the local scene in Sydney and Melbourne is full of incredible DJs who are constantly schooling me."

   6. The electronic music scene in Australia is constantly evolving. What’s your take on the current state of the scene, and where do you see it heading?

   Mock Answer: "I think it's in a really healthy place. After some tough years with regulations, the passion is back in a big way. There's a strong appetite for faster, more energetic sounds, but also a real appreciation for deep, considered house music. The community is tight-knit, and the warehouse and DIY party scene is thriving. I see it just getting stronger, with more Aussie artists making a real impact overseas."

   7. What's one track, new or old, that you absolutely love to play out right now—something that never fails to get the reaction you want from the crowd?

   Mock Answer: "There’s an older track by the Swedish artist SHXCXCHCXSH called 'SsSsSsSsSsSsSsSsSs'—try saying that after a few drinks! It's this rolling, hypnotic techno tool that just builds and builds. It’s not a huge, obvious drop, but when you mix it in at the right moment, you can feel the whole room lock-in and the energy just intensifies. It’s a real weapon."

   8. You've released music on some respected labels. How do you approach the process of getting your music signed, and what do you look for in a label partner?

   Mock Answer: "For me, it's about being targeted. I don't just send out mass emails. I spend time building a batch of 3-4 tracks that I feel really represent my sound and then I send them to a small handful of labels that I genuinely love and respect. It's about finding a home that fits the music, not just any home. It's a relationship, so you want to be on the same page creatively."

   9. Beyond music, your brand has a distinct visual style. How important is the aesthetic and visual identity of Four To Eight to you?

   Mock Answer: "It's definitely important. I think in today's world, the visuals create a whole world around the music. It helps convey the mood before you even hear a track. I love that dark, grainy, after-hours sort of feel because it matches the music. But at the end of the day, it's all in service of the sound. The music has to come first, always."

   10. What can fans expect from you in the near future? Are there any upcoming releases, collaborations, or big shows you're particularly excited about?

   Mock Answer: "Absolutely. I'm just finishing up a three-track EP that's a bit more on the techno side of things, which I'm really excited about. There's also a collaboration with another Aussie artist in the works that I have to keep quiet about for now, but it's sounding massive. And just looking forward to a busy summer of gigs and getting back out there to play all this new music for everyone."